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Opeth Openeth Floodgates

Opeth, ahhh, I havent talked much about them lately. I remember the days when I was one of the few people around here who used to listen to Opeth and now I see at least a dozen Opeth t-shirts a week on the kids who have graduated from Linkin Park, I kinda stopped listening to Opeth much. It is that 'diamond-in-the-pocket' theory of metalheads.

There are people who would call me a musical fascist, racist or something. Well...

One of the most elusive and challenging bands to categorize and even fully comprehend is Opeth, a Swedish former death metal outfit that has also experimented with goth and classical, but is now most deeply steeped in post-prog metal — which explains what they’ll be doing on the Progressive Nation tour this summer with Dream Theater. The tour, which also features 3 and Between the Buried and Me, launches May 2 in Los Angeles and runs through June 1 in Tampa, Florida.

Opeth’s new album Watershed actually comes out June 3, two days after the end of Progressive Nation (we told you those prog guys were cryptic). The group recorded the disc at Fascination Street studios in Orebro, Sweden between November 1 and early January.

The following are some of the video interview clips from the band on recording the new album, touring with Dream Theater, they discuss the creation of the new album, the destruction of a church organ and working with female vocalist Nathalie Lorichs and the contrasts on the album.

Opeth on writing Watershed

Opeth on breaking a church's organ

Opeth on working with Natalie Lorics

Opeth on touring with Dream Theater

Opeth on their goal for Watershed

Opeth on the contrasts of Watershed

source: mtv


some kick ass opening title sequences

This was one of the posts that I had written long time ago, saved it as a draft in a hurry and promptly forgot about it. Here it is, a short list from the thread I started in Compositors Club forum. You can find a truckload of amazing title sequences I have posted at Compositors Club.

*click on the names to watch them

Catch me if you Can
Nice animation and transitions with colors reminiscent of Rhapsody in Blue, very entertaining.

Guy Ritchie re-invented the smart-mouthing, attitude driven, funny gangster flicks for the late 90s and new millennium, so did this opening sequence featuring some tolerance-based frame cutouts (or whatever they are called), clever transitions and nice typography where you are introduced to all the characters and personalities. Clever indeed.

Identity *could not find it on YouTube or anywhere Sad
Kyle Cooper designed title sequence for killer psycho thriller starring John Cusack is slow and disturbing, just like the movie. Its easy to find parallels with the Se7en sequence in few places of the Identity sequence.

Island of Dr. Moreau
Another sequence by Kyle Cooper with amazing editing of imagery.

Pulp Fiction
I can talk for hours on this movie but the title sequence is another story, it was a homage to the exploitation movies of the 70s and featured the old track Misrlou that came to be known as Pulp Ficition theme song later!

Complex movie, Scorcesse's Casino opens with Robert DeNiro getting popped in the first scene and the title sequence takes off from there Rober DeNiro falling into hell from heaven. Poignant and elegant. Saul Bass' return to title sequence designing since the halcyon days with Otto Preminger and Alfred Hitchcock movies, at his best.

Fight Club
David Fincher had to receive separate funding for the complex "Fear Center" title sequence. In the DVD commentary, Fincher remarks that the studio told him "if the movie's good" they would allow him to do the very expensive introduction.
Matthew Butler at Digital Domain designed and directed this brilliant piece of title sequence which starts at the Fear Center of the brain and travels across the labyrinth of the brain and comes through the nose of main character (strangely we never know the name of the main character) and stops at the gun pushed in his mouth. Absolute masterpiece with a blistering soundtrack of Dust Brothers.

Reservoir Dogs
Quentin Tarantino's first movie as a director for this gangster drama features a stylish title sequence that many Bollywood movies have copied and ripped over and over again. Not convinced? Watch it for yourself.

Raging Bull
This could possibly be the most simple and brilliant piece of opening title sequence ever. The title starts super slo-mo with Robert DeNiro in the boxing ring with occasional camera flashes reminds of him in the ring with audience around him. Just black and white and brilliant imagery for a movie based on the life of Jake LaMotta.


I can never stop mentioning this one! I haven't said enough already. Smile
My first proper understanding of the serious movie titling started with Se7en opening title sequence by the now-legendary Kyle Cooper (who then was working with Imaginary Forces), for which he did not use any Computer Graphics but created by scratching with a pin the film surface of every single frame, then the title plate was added to the actual footage!

So the next time you see that grungy scratchy look on any reels, commercials or titles, you'll remember where it all started.

Later he went on to create opening sequences for many memorable opening sequences like Donnie Brasco, Spiderman 1 & 2, Hellboy, The Mask of Zorro, Identity, Darkness Falls, including ID designs for Marvel Comics, DC Comics, Silver Pictures and many more.

What makes Kyle Cooper unique is that his title sequence designs are like the narrative of the entire story, he has often been imitated by too many designers worldwide for so many movies. Did i mention that Kyle Cooper is some kind of God to me?

Panic Room
David Fincher once again uses 3d titles cleverly placed around, in front of buildings of Manhattan. For some it was a matchmoving marvel of a title sequence for me! Further the movie extensively uses a compositing technique called as Photogrammetry, in some ways this movie made it popular which was later used in Secret Window, Harry Potter, Peter Pan, Spiderman and other movies.

Dr. Strangelove: or How I Stopped Worrying and Loving the Bomb
Pablo Ferro designed this opening sequence for Stanley Kubrick's Dr.Strangelove, featuring phallic imagery of U2 bombers refueling in the air. Clever placement of text and creative use of typography.
* Also notice the typo there just below the title of the movie, it is "Base on the book" instead of "Based on the book". Kubrick pointed that out to Pablo after the movie was released but it was too late.


Contrary to the movie, the title sequence is a treat. Taking points off the 3d city and arranging them like Braille script before revealing the text and all that. Take a look if you haven't already. This movie serves the actual aim of this thread, "Forget the film, Watch the titles"


One more from the saddle of Imaginary Forces of Kyle Cooper days, still gives me the 'juice-bumps' every time I watch this.

Parting Shot:
Something for the road...

Movies With No Title
While many films omit any opening credits at all, such as The Godfather, Star Wars, and The Lord of the Rings, a couple of notable films have gone so far as to not even include a title at the start of the film. Films that do this usually come in two categories.

Insignia Films
Instead of showing the film's actual title written out, a symbol is shown at the start to imply the title in some way. The film's full title is usually then seen written out during the end credits.

Some examples are:
Ghostbusters II - instead of an actual title, the Ghostbusters cartoon logo appears where the title should be, holding up two fingers.
Batman Forever - the word Forever simply appears over the Batman logo.
Summer of Sam - "Summer of Sam" never appears at the beginning, but instead the words "Son of Sam" appears written with blocks.
Kill Bill: Vol. 2 - only the words "Vol. 2" appears at the beginning.
Shrek 2 - only the number "2" appears, in "Shrek style".
X-Men 2 - only "X2" appears.
Batman Begins - just after the company logos, a swarm of bats engulfs the screen and the new Batman logo can be seen faintly floating towards us.

Films Sans Titles
The movie never shows any title at all, creating the feeling that the entire film has been a cold opening.

Some examples of this:
Fantasia -- also the very first film to not have opening credits, originally premiered without even a title, except for a card appearing over the intermission. However, recent rereleased and video versions remove the intermission and place the title card at the start of the film.
Apocalypse Now - i love the smell of napalm in the morning...
The Mummy Returns - mommy...
Gangs of New York
The Passion of the Christ
Van Helsing
Lemony Snicket's A Series of Unfortunate Events - you get the entire title sequence in the end.
Miami Vice - frozen title cards, ring any bells?

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The Filthy 50

Straight from the vault, here's a list of 50 forgotten late ‘60s/early ’70s thud-rock masterpieces.

Basically, it goes like this: Chuck Berry—British Invasion—Garage Rock—Cream—Hendrix—Led Zeppelin—Black Sabbath—the last Hate Eternal album. OK, it’s not quite that neat. Nothing ever is. Which brings us to this completely biased and unscientific list of late ’60s and early ’70s heavy stuff that time (mostly) forgot. Proto-metal albums that had one supreme goal: to blow your little mind. To make this list, an album had to fit one or more of the following criteria:

• Thud: Does it make you want to fight or fuck?
• Crud: Is it unsavory in some way?
• Mud: Is it a bummer that stabs the hippie dream in the face?
• And, finally, Sticky Sticky Bud: Is it drug-induced and do you know where we can get some?

Apologies to hipster faves Toad, Bang, Sir Lord Baltimore, May Blitz, Black Widow and a zillion others that we forgot. The list-making process got a little, um, fuzzy, and we’re just glad we remembered how to count to 50. If you can remember to look for some of these the next time you hit the used bins, then you probably need a new dealer. —Scott Seward

01 Groundhogs,Thank Christ for the Bomb
Groundhogs are a religion and Tony McPhee is the pope. Every solo and riff is the end of the world as you know it.
Liberty | 1970

02 Grand Funk Railroad,On Time
Underrated despite their ubiquity, this is the Funk at their earliest, fiercest and most doom-laden, and it makes most overhyped greaseballs sound flabby by comparison.
Capitol | 1969

03 Toe Fat,Two
Kick-ass, unattractive and totally bad for you. In other words, thud-rock at its most essential. The most elemental riffs known to man. Grab the debut while you’re at it.
Rare Earth | 1971

04 Road,Road
COMPLETELY drug-drenched killer hard rock from ex-Experience member Noel Redding on this—like Toe Fat’s Rare Earth label—Motown subsidiary. Somewhere, Smokey Robinson wept. Natural Resources | 1972

05 Bloodrock,U.S.A.
All Bloodrock albums are worth owning, but only one has the song “Don’t Eat the Children,” where spirits invade your skull like Satan’s festered hand. You know?
Capitol | 1971

06 Epitaph,Outside the Law
In the states, these German hard-rockers shared a label with kraut space-cases Neu! and the ever-popular Lucifer’s Friend, but their own brand of fancy fretwork shouldn’t be overshadowed. Dudes could shred.
Billingsgate | 1974

07 Dust,Dust
Superior power-trio blast featuring future Ramone Marc Bell (“Marky Ramone”) and the incomparable stoner doom anthem “From a Dry Camel.” Marc made two great Dust albums and the excellent Estus album on Columbia before going all CBGB’s on our ass.
Kama Sutra | 1971

08 High Tide,Sea Shanties
So ludicrously loud and violent that you gotta wonder what the hell punk rock was supposed to be saving us from. Oh yeah, ELP. Whatever. Most punks couldn’t hold a candle to the nihilistic fury of High Tide.
Liberty | 1969

09 The Litter,Emerge
Their first two albums are garage-punk classics, but on their third, the Litter had become a fierce fuzzy beast and a harbinger of hard rock to come.
Probe | 1969

10 The Head Shop,The Head Shop
Speaking of harbingers, the Head Shop’s lone psych semi-classic is likewise a breath of foul air filled with woozy—and supremely heavy—bad acid moments that would reflect the coming waves of dirt metal that the ’70s had to offer.
Epic | 1969

11 Cactus,Cactus
Vanilla Fudge’s rhythm section plus the godlike blues rock guitar of Jim McCarty makes Cactus’ debut the bone-crunching and highly influential album that it is. Heed the advice on the back cover: “This album should be played at ‘high’ level.”
Atco | 1970

12 Edgar Broughton Band,Wasa Wasa
The mud-caked bastard offspring of Captain Beefheart and U.K. acts like the Deviants, Edgar Broughton Band pisses all over your flowers and then proceeds to pass out. Now THIS is grunge. 12 Harvest | 1969

13 Randy Holden,Population II
This album is fucked. Randy Holden is a god. The electric guitar has never been abused so thoroughly since.
Hobbit | 1969

14 Atomic Rooster,Death Walks Behind You
The title track kicks so many kinds of ass that it’s kinda hard to even focus on the rest of the album. And the rest of the album is fucking great.
Elektra | 1971

15 Armageddon,Armageddon
Just in case you were wondering what tech-death sounded like in 1975, former Yardbird Keith Relf and Captain Beyond drummer Bobby Caldwell would like to show you. One of the GREAT major label releases of the 1970s.
A&M | 1975

16 Leigh Stephens,Red Weather
Randy Holden wasn’t the only former member of Blue Cheer to feel the need to get something off his chest in 1969. Red Weather is a singular, drugged and supremely bummed-out epic by this stoner rock pioneer. Amazing and haunting.
Philips | 1969

17 Crow,Crow Music
Not a great album, but Crow deserve a nod for their straight-up biker rock, the seriously doomed proto-metal of “White Eyes” and for providing Black Sabbath with their first single (“Evil Woman”).
Amaret | 1969

18 Smoke Rise,The Survival of St. Joan
While they might not have been the greatest hard rock band in the world, they are, as far as anyone knows, the only band high enough to think that a double album stoner boogie opera about Joan of Arc was a good idea. And that’s got to count for something.
Paramount | 1971

19 The Open Mind,The Open Mind
Brit power-psych with a huge bottom end and deathless, doomed proto-metal vibe that can’t be beat. You can FINALLY get this as an official release with decent sound and no longer have to shell out a thousand clams for the original.
Philips | 1969

20 Gun,Gunsight
Gun was guitar hero Adrian Gurvitz’s first chance to show his stuff via hard rock gems and jams that are as wild and wooly as his huge red afro. The dude is genius.
Epic | 1969

21 The Damnation of Adam Blessing,Second Damnation
One of the greatest US rock bands that hardly anyone has heard, TDOAB lay down a serious hurting on their second full-length.
United Artists | 1970

22 Peter Green,The End
of the Game Ex-Fleetwood Mac guitar god goes down a very steep cliff and just keeps falling and falling and falling…
Reprise | 1970

23 Valhalla,Valhalla
TDOAB labelmates (UA’s hard rock roster was unfuckingbeatable) Valhalla effortlessly blend prog, psych and jaw-dropping heavy stuff on their lone, nearly-forgotten LP.
United Artists | 1969

24 The Hook,Will Grab You
Exemplary post-Hendrix power-trio blast.
Uni | 1968

25 Thunder and Roses,King of the Black Sunrise
Exemplary post-Hendrix power-trio blast. Vol.2.
United Artists | 1969

26 Puzzle,Puzzle
Exemplary post-Hendrix power-trio blast. Vol.3.
ABC | 1969

27 Eden's Children,Eden’s Children
Exemplary post-Hendrix power-trio blast. Vol. 4.
ABC | 1968

28 The Grodeck Whipperjenny,The Grodeck Whipperjenny
James Brown put this funky beast out because he didn’t think you had enough fuzz in your life. Now you do.
People | 1970

29 Bubble Puppy,A Gathering of Promises
Yeah, it’s a psych milestone, but it’s also one of the great progressive hard rock albums of the ’60s. When Bubble Puppy changed their name to Demian, they repeated the trick with their lone album on ABC-Dunhill. International
Artists | 1969

30 West, Bruce & Lang,Whatever Turns You On
Jack Bruce knows power-trios, and the one he put together with Mountain man Leslie West was a beefy, greezy beast.
Windfall/Columbia | 1973

31 MC5,Starship
Keeping away from the better-known names on this list for the most part to give the neglected their due, but this live Five set from ’68 is a wind tunnel of viciousness and needs to be studied by the Department of Homeland Security in the hopes that they can stave off any future attacks of sonic terrorism.
Alive/Total Energy | 1998

32 Wishbone Ash,Wishbone Ash
Before they floated off into the UK rural prog jam band ether, Wishbone Ash delivered seriously smoking and locked-in boogie rock fire. Their first three albums are essential.
Decca | 1970

33 Jade Warrior,Released
Dude, flutes and horns? What is this shit? Oh, wait, that guitar solo just sliced my face off. My bad.
Vertigo | 1972

34 Mad River,Mad River
If the song titles “High All the Time” and “Amphetamine Gazelle” don’t give you an idea of where Mad River were at, then the furious and tense bad trip Quicksilver-esque head-nodding devil music on their debut most certainly will.
Capitol | 1968

35 Fear Itself,Fear Itself
Awesome and powerful Zeppelin-esque blooze grunge with singer and guitarist Ellen McIlwaine playing the part of Robert Plant. A sadly short-lived group that still impresses.
Dot | 1969

36 Mott the Hoople, Brain Capers
Everyone ON EARTH should own the first four Mott albums, but JUST IN CASE someone has never heard “Death May Be Your Santa Claus” or “Darkness, Darkness,” well, there’s still time to make something of your wretched life.
Atlantic | 1971

37 Captain Beyond,Captain Beyond
Bobby Caldwell is god and this is hands down the greatest southern space rock boogie metal album ever made.
Capricorn | 1972

38 Banchee,Banchee
Pristine, hypnotic and driving hard rock that mesmerizes with ease. They don’t make bands like this anymore.
Atlantic | 1969

39 Sam Gopal,Escalator
Lemmy invented metal. And then he invented god and the devil and then he ate them.
Stable | 1969

40 Terry Brooks & Strange,To Earth With Love
DIY astral guitar superhero melds Hawkwind and his own demented charm until sparks fly. Recorded in 1979, but it was always 1971 in his world.
Star People | 1980

41 Humble Pie,Rock On
Steve Marriott is a legend, so let’s take this time to give a shout-out to Suck, JPT Scare Band, Nitzinger, Budgie, the Frost and Pentagram!
A&M | 1971

42 Ursa Major,Ursa Major
The mighty Dick Wagner of the Frost would make this amp-burning screamer before heading off with best bud Steve Hunter to add crucial fierceness to Alice Cooper and Lou Reed albums.
RCA | 1972

43 The Bob Seger System,Ramblin’ Gamblin’ Man
So fuckin’ cool. Heavy, rockin’, in your face and HUNGRY. Bob has long been considered a garage rock legend, but you gotta hear this shit to believe it.
Capitol | 1969

44 Ten Years After,Stonedhenge
Again, legends, but not an album you hear every day. Stoner minimalism and an x-ray of the blues creates late-night lysergic bliss.
Deram | 1968

45 Savoy Brown,Looking In
This. Is. How. You. Do. It.
Parrot | 1970

46 Pink Fairies,Kings of Oblivion
The rock is out. The cock is out. Larry Wallis shows no mercy. It’s like listening to the birth of a planet. You need this like you need air and water.
Polydor | 1973

47 Glass Harp,Glass Harp
Epic arrangements, Phil Keaggy’s guitar heroics and seriously brainy jammage.
Decca | 1970

48 Bitter Blood Street Theatre,Vol. 2
Alice Cooper supposedly stole this group’s theatre of the absurd shtick. Recorded at the dawn of the ’70s, Vol. 2 has crazed spoken word interludes, raggedy horror-filled rockers like “The Monkey Wolf” and “Gutter Children” and a unique drug-soaked energy unlike most albums of the day.
Vetco | 1978

49 Frantic,Conception
Crude and rude and heavy on bar band-friendly covers, Conception is a degenerate soundtrack. It’s really LOUD, has no socially redeemable qualities and it will make you pine for the days when Quaaludes grew on trees.
Lizard | 1971

50 Three Man Army,AThird of a Lifetime
Post-Gun, Adrian Gurvitz just cranks up the heat and the speed to deliver Mach 3 jams that reverberate for eons.
Kama Sutra | 1971

Keep Rocking....



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